Gwenn A. Nusbaum Scholarship

Gwenn A. Nusbaum Scholarship

We are happy to announce that we’ve selected our 2026 Gwenn A. Nusbaum Scholarship Recipient, L.A. Johnson as well as Honorary Mention, Megan Nichols from our exceptional submissions from our 2025 applicants. 

Our call for submissions will now take place bi-annually. We look forward to accepting submissions from January 11, 2027 through March 15, 2027 for both the 2027 and 2028 cycles. Two $1800 scholarships will be offered in the spirit of Walt Whitman’s enduring contribution to the field of poetic writing and support of “Poets to Come.” Two Honorable Mentions will also be selected and awarded $180 each. Scholarship Award Ceremonies will continue to be held annually in June via Zoom.


Applications are sought from those poets at the early stages of their careers, ages 25-35 years. This Scholarship aims to encourage and assist emerging poets in their creative poetry writing endeavors. Their work should be of exceptional artistic quality and demonstrate a passion for poetry, originality of perspective, and a masterful command of expressive language. They will be expected to produce other strong work during the Scholarship timeline of one year. 2027 Guest Judge and other details to be announced.

The Scholarship is administered by WWBA. The winner is selected by an independent and diverse panel of two (2) judges who may include, but are not limited to, poets, professors, scholars, writers and WWBA representatives. Past Judges and Readers included Alicia Mountain, Declan Ryan, Victoria Chang, Kwame Dawes, Cornelius Eady, Juan Filipe Herrera, Jane Hirshfield, Dean Kostos, Molly Peacock, and WWBA representative Trustees Robert Savino and Cynthia Shor.

 Stay posted for further updates!

Recipients

L.A. Johnson is the author of Lost Music (Milkweed Editions, 2027) and an Associate Editor of Swirl & Vortex: Collected Poems of Larry Levis (Graywolf Press, 2026). She holds a PhD from University of Southern California, where through academic years 2023-25 she was a Mellon Humanities and University of the Future Postdoctoral Fellow. The winner of the 2022 Mississippi Review Poetry Prize, the 2022 Greensboro Review Poetry Prize, and the 2021 Arts & Letters Rumi Poetry Prize, her poems appear in The Atlantic, Poetry Magazine, Ploughshares, and elsewhere. She is currently a Hughes Fellow at Southern Methodist University.

 

Nina C. Peláez (www.ninapelaez.com) is a poet, essayist, educator & cultural producer interested in themes of displacement, diaspora, ecology, and resilience. A Best New Poets nominee, her writing appears in journals such as Narrative, Prairie Schooner, Electric Literature, Pleiades, Rattle, RHINO, Swamp Pink, & Willow Springs and has been supported The Walt Whitman Birthplace Association, The Barbara Deming Memorial Fund, Tin House, Yaddo, AWP, Tupelo Press, and the Key West Literary Seminars. She is a mentor for The Adroit Journal and works as Associate Director of The Merwin Conservancy.

Samuel Burt is a poet and artist from Grinnell, Iowa. A 2022 winner of the AWP’s Intro Journals Project, Samuel’s poems have been featured in Salt Hill, Colorado Review, The Journal, Arc Poetry Magazine, and many more print and digital journals. He holds a poetry MFA from Bowling Green State University, reads for Fahmidan Journal, and works at the Grinnell College Libraries.

 Nguyen is the author of Dear Diaspora (University of Nebraska Press 2021), which won the Prairie Schooner Book Prize, an Outstanding Achievement Award from the Association of Asian American Studies, a New Mexico-Arizona Book Award, and was a finalist for the Julie Suk Award. Her poems have been nominated for Best of the Net and a Pushcart Prize and have appeared or are forthcoming in The Academy of American Poets’ Poem-A-Day series, The American Poetry Review, Poetry Northwest, The Rumpus, Tin House, and elsewhere. The recipient of fellowships from the AZ Commission on the Arts, the Barbara Deming Memorial Fund, the Virginia G. Piper Center for Creative Writing, and the 2022 Stanley Kunitz Memorial Prize from the American Poetry Review, she currently serves as the Senior Editor of Hayden’s Ferry Review.

Susan was selected by the 2023 Panel of Judges:  Victoria Chang, Juan Felipe Herrera, Jane Hirshfield, Trustee Robert Savino and Executive Director Cynthia Shor.

During the scholarship year, Hua plans to publish a first chapbook of poetry and finish a first poetry book manuscript.  Hua is interested in the mind and its internal languages, and writes about ways “we internally process the pain of the world.  The interior world can be as vast as the actual one, a place where things happen both forwards and backwards, simultaneously and years apart, where everything is true but nothing is real.” Hua began major poetry publication in 2018 and has received writing awards from Yale Writing Center Essay Contest and Boston Review Poetry Contest, among other awards, with essays published in the Harvard Review and the Wall Street Journal. Hua is a first-generation immigrant and has served as a family caretaker. Hua received a BA in Media Studies from Yale University, and is currently teaching art at the Parsons School of Design at The New School.

Honorary Mention

Megan Nichols is the author of the chapbook Animal Unfit (Belle Point Press, 2023). Her poems have appeared in The Threepenny Review, Poetry Daily, Plume, and elsewhere. She was a finalist for Write Bloody’s 2021 Jack McCarthy Book Prize and the 2024 Peseroff Poetry Prize. She was the Honorary Mention for the 2026 Gwenn A. Nusbaum / WWBA Scholarship. She serves as Managing Editor at Variant Literature and lives in the Arkansas Ozarks.

Oak Morse lives in Houston, Texas, and holds an MFA from Warren Wilson and an MLIS from the University of Southern Mississippi. He won the 2025 Larry Levis Post-Graduate Award and the 2024 A Public Space Writing Fellowship. Oak has received support from PEN America and has won fellowships from Brooklyn Poets, Twelve Literary Arts, Cave Canem’s Starshine, and Clay, as well as a Stars in the Classroom honor from the Houston Texans. His work appears in POETRY, Public Space, Black Warrior Review, Obsidian, Painted Bride Quarterly, Up The Staircase Quarterly, Indiana Review, Cream City Review, and Painted Bride Quarterly, among others.

Scholarship Advisory Committee


Gwenn A. Nusbaum, Scholarship Founder

Gwenn is grateful for her role as Founder of the Gwenn A. Nusbaum Scholarship as well as to be on the Board of Trustees at Walt Whitman Birthplace Association. She is also on the Board of Directors at the Whitman Initiative in lower Manhattan. Gwenn is a member of the Marie Bullock Society of the American Academy of Poets.

After earning a B.A. in Psychology from Hofstra University, Gwenn received a Master of Social Work from New York University, and postgraduate certifications in several areas of therapeutic interventions. She is published in the field of individual and group psychotherapy with women having histories of childhood sexual traumas. She also presented her writing on this theme at the International Ferenczi Conference in Budapest, Hungary, as well as created curriculum and trainings for other professionals.

In addition, she developed the craft of writing poetry through an ongoing independent program inclusive of conferences and intensive craft workshops, including the comprehensive ones offered by Ellen Bass.

Gwenn’s poems have appeared widely in print and on-line poetry journals for which she received a Pushcart Nomination, Honorary Mention, and Gradiva Nomination. Her chapbook of poetry, “Normal War,” is archived at The Poet’s House in Manhattan.

Retired from her 40-year career as a psychoanalyst, Gwenn continues to foster personal and creative development via her coaching and mentoring practice. She is an Amherst Writers and Artists Certified Workshop leader and incorporated this non-hierarchical method of facilitating writing in a group for vets.

At the 2025 Gwenn A. Nusbaum Scholarship Awards, Gwenn discussed Walt Whitman’s enduring influence and the subject of AI: “I believe that if Whitman weighed in on AI’s capacity to write poetry, he might scoff at the notion that such technology can ever eclipse that which exists within the depths of oneself, derived from attachment-based (right brain) experience, from witnessing, from intergenerational influence, from stream of consciousness (at which Whitman excelled), from all that is as sensorily rich as the scent of newly mowed ‘leaves of grass’, from falling apart and healing, and from the complexities of ‘containing multiples’ within us. Such components link us to identity, curiosity, unknowing, and ultimately to our capacity to transform and transcend human borders. It may then be imperative to change our lives (think Rilke)—if not the lives of others!”

Ms. Cynthia Shor is an Honorary WWBA Trustee and served as Executive Director of the Walt Whitman Birthplace Association (WWBA) from 2007 – 2024. Leading up to this position, Ms. Shor was a WWBA Board Member for three years, and served for over a decade in the roles of program committee member, poetry teacher for school programs, and head judge for the annual student poetry writing contest.  

She received her BA from NYU and MA in Literature from American University, and achieved PhD Candidacy at the NYU Steinhardt School of Education.  During her first doctoral year at NYU in 1995, she was selected as a Teaching Fellow and studied at Oxford University, England.  She returned to teach graduate and undergraduate poetry and literature courses in the Steinhardt School from 1995-2006 wherein she received the Teaching Excellence Award.  She is a member of Kappa Delta Pi, the educational honor society.  She also taught memoir, poetry writing and literature courses in the Great Neck Adult Education Program, and her course, “The Interpretation of Literature” was selected for the David Rauch Memorial Seminar Award. She has done volunteer literacy tutoring, and as a writing coach she has facilitated the writing process and publication of articles, memoirs, and books for her clients.  Ms. Shor is an active Alumna of NYU and serves on the College of Arts & Science Alumni Board as Associate Director and past Vice-President. 

A published poet, Ms. Shor was a Poet in Residence with New York City’s Teachers & Writers Collaborative, and taught poetry writing in over 40 elementary and high schools throughout NYC and Long Island regions.  Her classes inspired a multitude of student poetry anthologies.

From 1996-2024, Shor managed and directed the annual WWBA Student Poetry Writing Contest developing it from a local Long Island contest to include an international audience.  She is the Editor of “Legacy,” the 2024 inaugural anthology of award-winning student poets. 

In 2018, Shor supervised the $160,000 Exhibit Renovation for the Visitors Center, managed by former Trustee President William T. Walter, PhD, and together they secured the capital funding from The Gardiner Foundation and Parks & Trails NY.  In 2019, Shor managed the year-long programs for Whitman’s Bicentennial Birthday Celebration at the Birthplace celebrating Walt’s 200th year (1819-1892). A main event was The Inaugural Whitman International Conference which brought participants from 6 countries and 10 American states to Whitman’s Birthplace to explore Whitman’s continuing impact on literary and social issues.

Ms. Shor secured two major Whitman book collections enlarging the Association archives to hold the second largest Whitman collection next to the Library of Congress.  She was responsible for the 2014 designation of the Whitman Birthplace as a “Literary Landmark” by United for Libraries Literary Landmarks Register.  That same year, Shor secured from a fifth-generation Whitman descendant the donation of one (of two) historic and priceless Whitman Family Bibles which also preserved a lock of Whitman’s mother’s hair.  In 2022, Shor arranged for a sixth-generation Whitman nephew to join the Association Board.

Shor has two adult children and five grandchildren.  She married David Church in 2018, and retired from her role as Executive Director in 2024.  They reside in their home in Greenville, SC, and maintain an apartment in Des Moines, Iowa, where Shor was born and where her extended family still resides. Her favorite Whitman poem is A Child Went Forth which describes Walt as child emerging from his Birthplace farmhouse and becoming imprinted with the wonders of his environment.  Like Whitman, she became imprinted with the Birthplace wonders, also.  

Robert Savino (born April 24, 1948, Jamaica, NY) is a native Long Island poet, Suffolk County Poet Laureate 2015–2017, Board Member at the Walt Whitman Birthplace and at the Long Island Poetry & Literature Repository Center. He is the winner of the 2008 Oberon Poetry Prize, Association of Italian American Educators – Cristoforo Colombo Award for Literary Leadership (2019), and Town of Islip Italian American Heritage Award for Visual & Performing Arts – in Literature (2019). Robert was first inspired by Blake and Whitman in the sixties when everything became not as ordinary as it appeared and he began a life sentence in a metaphoric mind.

His poetry has been widely published in journals, anthologies, and online, including The Haight Ashbury Literary JournalLong Island QuarterlyMobius, Negative CapabilityThe North American Review and Sport Literate; and his poems have been written for art and music. One of the poems, “October’s Opal,” was composed by Yung Shen Hsaio as a four-instrument musical ensemble piece and presented at the 2017 International Rostrum of Composers and Conservatorio Vincenzo Bellini, Palermo, Italy.

Robert is co-editor of two bilingual collections of Italian Americans Poets, No Distance Between Us – Italian American Poets of Long Island and No Distance Between Us – The Next Collection – Italian American Poets of New York State. His books include Fireballs of an Illuminated ScarecrowInside a Turtle Shell and I’m Not the Only One Here. No Distance Between Us (Nessuna Distanza Tra Noi) is scheduled to become a trilogy of Italian American poetry in a cultural tribute to Dante Aligheri. Inside a Turtle Shell, a diverse journey of paths crossed, lost and found, was selected as the second collection in the three-volume Turtle Island Series (Allbook Books).

Robert lives in West Islip, NY, with his wife and enjoys the role of poetry mentor.

2025 Guest Panel

Alicia Mountain is the author of Four in Hand (BOA 2023). Her debut collection, High Ground Coward (Iowa 2018), won the Iowa Poetry Prize. Her work has appeared in Poetry NorthwestPloughsharesAmerican Poetry Review, The Nation, and elsewhere. Mountain received her PhD at the University of Denver. She serves on the board of Foglifter, a LGBTQIA+ journal based in the Bay Area. Mountain lives in New York City, where she is an Assistant Teaching Professor in the Writer’s Foundry MFA program at St. Joseph’s University in Brooklyn and a psychoanalytic candidate at the National Institute for the Psychotherapies.

Declan Ryan was born in Mayo, Ireland and lives in London. His debut collection, Crisis Actor, was published by Faber & Faber in the UK and Farrar, Straus and Giroux in the US. His essays and reviews have appeared in many journals, including The New York Review of Books, The Paris Review, The Guardian, The Observer, The Times Literary Supplement, The Baffler, Los Angeles Review of Books, and Poetry. 

Guidelines

Click any tab below to learn more about the scholarship guidelines.

(Submissions are now closed) 

Must be 25-35 years of age.

Demonstrate a scholastic or pre-professional track of outstanding poetic writing; all poetic forms, styles, types, themes and topics are acceptable.

Submissions are closed. 

Applicant MUST include the following

  1. CV or Resume
  2. Ten (10) Poems
  3. Cover Letter

Please provide a cover letter with your name, address, email, phone, and a CV or Resume (no more than three pages).  CV should contain your education history, publication history, awards, performances and readings, and, if applicable, any past poetry projects. Cover letter should include a statement of intent for professional writing goals.  Cover letter should indicate expenditure plans for the scholarship funds.  Please include contact information for one reference who will be emailed if the applicant moves to the finalist stage.

Honorarium of $1800 must be used within one (1) year of endowment (July 1, 2025 – July 1, 2026).

Funding to be used for supportive activities to further the writing career: for example,  writing courses and workshops; writing conferences; writing retreats, or other approved activities.

WWBA Award Committee shall be supportive of the Honoree and will offer approval for intended use(s) of honorarium.

Honoree shall maintain contact with WWBA Award Committee.

Honoree shall demonstrate significant progress as described in a final report to the WWBA Award Committee.  This may be a summary and/or short video of experiences toward growth, productivity and achievement of goals. 

Honoree receives a onetime scholarship of $1800.
 Honorable Mention receives a onetime award of $180 (as of 2027)

WWBA offers Association support which may include use of the WWBA Archive & Library, consultations with Archive Curator,  letters of introduction, and promotional articles and activities.

Honoree will be featured on WWBA website.
Honoree is invited to conclude their award year with a poetry reading at the Whitman Birthplace in person or via Zoom at the Award Ceremony held in June (date to be announced)

Good luck to all Applicants
Address questions to:   Caitlyn Shea, WWBA Executive Director:   director@waltwhitman.org

POETS TO COME

POETS to come! orators, singers, musicians to come!
Not to-day is to justify me and answer what I am for,
But you, a new brood, native, athletic, continental, greater than before known,

Arouse! for you must justify me.
I myself but write one or two indicative words for the future,
I but advance a moment only to wheel and hurry back in the darkness.

I am a man who, sauntering along without fully stopping, turns a casual look upon you and then averts his face,
Leaving it to you to prove and define it,
Expecting the main things from you.

-Walt Whitman