WWBA mourns the loss of beloved poet Wendy Barker. We offer our condolences to her family and friends.

With sorrow, Walking With Whitman: Poetry in Performance on May 5th is cancelled

Sponsored by Humanities NY – Six Wednesday evenings, 6:00-7:30PM – April 12, 19, 26 & May 3, 10, 17  (2023)  – ZOOM only

Theme – “Land, Liberty & Loss: Echoes of the American Revolution”

Book – Our Beloved Kin: A New History of King Philip’s War by Lisa Brooks

• One time registration fee:  $10 Registration Fee
• Watch for the ZOOM link from  events@waltwhitman.org. The link will be sent the first week of the book discussion. The same link will be used for all 6 sessions.
• You can purchase a copy of Our Beloved Kin: A New History of King Philip’s War online, or borrow a copy from your local library.

Sarah Kautz is an archaeologist, historical anthropologist, and preservation planner with nearly 20 years of professional experience. She has worked collaboratively with stakeholders and governments in the United States, Japan, and South Africa to study and preserve heritage sites. Her work seeks to make understandings of the past relevant and useful in our everyday lives. Click here for Sarah Kautz bio.

 

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Facilitator Sarah Kautz presents Our Beloved Kin: A New History of King Philip’s War, a book selection by Humanities NY for their Series “Land, Liberty & Loss: Echoes of the American Revolution.” Our Beloved Kin: A New History of King Philip’s War offers a thought-provoking account of conflict, captivity, resistance, and survival from an Indigenous perspective. Focusing on the experiences of Weetamoo (a female Wampanoag leader) and James Printer (a Nipmuc scholar), this book gives readers fresh insight into commonly heard stories about the period, such as Mary Rowlandson’s captivity narrative, in which both Weetamoo and James Printer appear. In this discussion group, we will consider how legacies of settler colonialism frame American history. We will also explore how Our Beloved Kin opens up new possibilities for re-telling American history.

The Digital Companion website for Our Beloved Kin includes visualizations and additional content developed by the author, including links to Maps (the full color maps created for each chapter), Documents (images of original manuscripts and other documents associated with each chapter) and/or Connections (maps and documents in historical and geographical context, contemporary images of places and other related media).

 

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April 12

Introductions, review the reading list, and discuss the major themes of our readings.

Reading:

• Land, Liberty & Loss: Echoes of the American Revolution essay by Alan Taylor:  https://humanitiesny.org/land-liberty-loss-echoes-of-the-american-revolution

• Our Beloved Kin “Introduction: The Absence of Presence”

• Our Beloved Kin “Prologue: Caskoak, the Place of Peace”

Recommended (videos):

• We Still Live Here–Âs Nutayuneân, documentary about the revitalization of the Wampanoag language https://www.dailymotion.com/video/x3h1myn. As you read Our Beloved Kin, you’ll encounter many Wampanoag words. Does language matter in the stories we tell? Why?
• Partnership of Historic Bostons lecture: Whose Name, Whose Place? Native Placenames In Southern New England (September 2022) https://historicbostons.org/events/1

 

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April 19

Our Beloved Kin–Part 1, The Education of Weetahmoo and James Printer: Exchange, Diplomacy, Dispossession

Reading:

• Chapter 1: Namumpum, “Our Beloved Kinswoman,” Saunkskwa of Pocasset: Bonds, Acts, Deeds
• Chapter 2: The Harvard Indian College Scholars and the Algonquian Origins of American Literature
• Interlude: Nashaway, Nipmuc Country, 1643–1674

 

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April 26

Our Beloved Kin–Part 2, No Single Story: Multiple Views on the Emergence of War

Reading:

• Chapter 3: The Queen’s Right and the Quaker’s Relation
• Chapter 4: Here Comes the Storm
• Chapter 5: The Printer’s Revolt: A Narrative of the Captivity of James the Printer

 

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May 3

Our Beloved Kin–Part 3, Colonial Containment and Networks of Kinship Expanding the Map of Captivity, Resistance, and Alliance

Reading:

• Chapter 6: The Roads Leading North: September 1675–January 1676
• Interlude: “My Children Are Here and I Will Stay” Menimesit, January 1676
• Chapter 7: The Captive’s Lament: Reinterpreting Rowlandson’s Narrative

Recommended (video):

• Partnership of Historic Bostons lecture: Cruel Or Courageous? A New Reading Of Mary Rowlandson’s Captivity Narrative (July 2022) https://historicbostons.org/events/1-puritan-social-gospel-and-the-city-on-a-hill-m84ff-hb2e6-gtmdp

 

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May 10

Our Beloved Kin–Part 4, The Place of Peace and the Ends of War

Reading:

• Chapter 8: Unbinding the Ends of War
• Chapter 9: The Northern Front, Beyond Replacement Narratives

 

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May 17

At our last meeting, we will have an open discussion of Our Beloved Kin. We will also discuss how Our Beloved Kin inspires retelling Long Island’s colonial history from an Indigenous perspective.

Reading:

• “The Thirteen Tribes of Long Island: The History of a Myth,” by John Strong, The Hudson Valley Regional Review, 1992 https://drive.google.com/file/d/158I684cdyoR8B4zRDyWA3vUDedrshpBh/view?usp=share_link
• Take a close look at the content in “Native American Long Island,” part of the Brooklyn Historical Society’s virtual exhibit, Revealing Long Island History: https://longisland.brooklynhistory.org/themes/native-american-long-island
• “The Meanings of a Native American House in a Black Neighborhood,” by Allison Manfra McGovern and Anjana Mebane-Cruz, Journal of African Diaspora Archaeology and Heritage, 2019 https://drive.google.com/file/d/1rrkq4fu81jquZsepe1Tq5vwJIcwfHxUA/view?usp=share_link

Recommended:

• Montaukett NYS Tribal recognition: http://www.montaukwarrior.info/?page_id=274
• Conscience Point documentary https://www.pbs.org/independentlens/documentaries/conscience-point
• Niamuck Land Trust https://niamucklandtrust.org/home-1
• NYS Unmarked Burial Protection Act https://preservationlongisland.org/action-alert-burial-site-protection

 

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This Series is Sponsored by a Humanities New York Reading and Discussion Grant.

This program is made possible with funds from NY State Parks, Suffolk County, Town of Huntington, and NYS Council on the Arts through Huntington Arts Council.

Please join us on Saturday, April 29th, as Walt Whitman Birthplace Association Celebrates 2023 Long Island Poet of the Year, Paula Camacho. Join us in person at WWBA for an award reception and reading.

Paula Camacho, as President of the Nassau County Poet Laureate Society, serves the poetry community in countless ways by encouraging discovery of the poetic voice, elevating appreciation for the written word and enriching the lives of local poets through events, contests, anthologies, scholarships and more. She is a breast cancer survivor and participated in various poetry organizations over the years. She moderated the Farmingdale Poetry Group for 20 years to empower and evolve the poetic skills, artistry form and creativity of participants. She taught a poetry class, You Can Write Poetry, in the Adult Education program at the Farmingdale High School. She served on the Nassau Council for the Arts for three years.  Her poetry has won various awards, including the Alice Abel National Literary Contest. She has published nine collections of poetry. Her latest collection, Transmutation, is a 2021 finalist in the Blue Light Poetry Prize. She holds degrees in Nursing and Theology and lives with her family in Farmingdale.

This award is given annually to a Long Island poet recognized for the excellence of his or her work and who is active in supporting and promoting poetry on Long Island.

This is a free event and no registration required.

Carry a poem with you on April 27th to share with family and friends.

Submit your poem in your pocket and it will be featured here, on our website. We will also post some of your poems on our social media on April 27th!

Poem in Your Pocket Day is an international movement that encourages people to centre poetry within their daily interactions. On PIYP Day, select a poem, carry it with you, and share it with others.

Keep watch on our Facebook, Instagram and Twitter on April 27th for your poem:

Facebook:  @WaltWhitmanBirthplaceAssociation    |    Instagram:  @waltwhitmanbirthplace  |  Twitter:  @wwbirthplace

 

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Poem In Your Pocket Submissions

Song of the Open Road

Afoot and light-hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

Entered by:  Cynthia Shor, WWBA Executive Director

 

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The Beautiful Ugliness of Being

The body buzzes electric,
pulse of life, beating of heart,
rush of blood, rhythm of breath,
All intermingled, a symphony apart.
Celebrate the self, the soul, the spirit,
The endless possibilities,
of all we can be,
The dynamism of diversity,
the power of difference,
A grand tapestry,
an entanglement
of you and me.

I am the dirt beneath my feet,
The sun that blinds my eyes,
the wind ruining my hair,
I am the earth and sky, the mountains, worms, and fleas,
All that is, and all that can be,
I am.
I see the universe in all its glory,
In every weary face, every smile,
In every tear, in every story,
I find my own, and I’m beguiled
I am
a part of all that is,
A thread in the fabric of life,
Connected to every thing,
In a world of wonder, a world of strife.
I celebrate this gift of being
And all the chaos it entails,
we are one,
and we are many,
And in all our ugliness,
beauty prevails.

Joe Maldonado

 

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She breathes out Water.
A flood of food with music
pours into loops. Colorful tunes
swings Her body towards the sun:
an orchestra in bloom.
Her feet make a beat.
In the heat of it all
sweat slips n’ slides beneath Her eyes.

She breathes in Life;
shuffled mountains in waves,
kissed the moon in all its shades;
She Untethered, never the one to pass blame
breathes out Water
breathes in Life
dances to Her delights;
among the stars of the night
She reflects the greatest Light.

Nathalie E. Amazan

 

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The face of Walt Whitman

Dripping down the window pane,
the face of Walt Whitman

etched in rain,

his beard spilling
to the sill

in the pointillist light
of a cold, gray day.

Old man!

What do you have to say
as I wait
for the changes to come,
the cloud-break, the sun,

if only I’m patient, if only we
get past the next one,
and the next one,
and the one after that…

all the small trials,
some so petty
they don’t belong
in any poem,

not even yours?

John Tessitore

 

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Betrayal 

“My body betrayed me” my father said
The rugged but,sensitive farmer turned accountant /bookkeeper said.
Hand to aching  head he massaged his temples.
Allergies laid his sinus cavities especially low.
Off to fresh Vermont, not ski ,but  breath

Betrayal in the ether,
Country gone to Nazis
America my honest beloved.

Alice Byrne LCSW CGP FAGPA 

 

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HEROS

This year
make a wish.
Your hopes can come true.
If a young poet can write “Heart Songs”,
you can write the story of your life.
If saints can find food on the side of the road, you can bake a batter of Christmas cake.
If a president can build homes for the homeless,
you can construct years of happiness.
If guides directed explorers through continents,
you can reveal the way to a child.
Because like them …
you are a hero
and heroes make wishes!

Paula Curci, Nassau County Poet Laureate

 

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If Only I Could Draw

I would release all the words
stored up in my language house
to be snagged by another poet or songwriter.
Please, have at them.

I’d much prefer to show than tell you,
but pictures turn to verse
before my clumsy hands
can guide them onto canvas.

So I am left with words —
nocturnal, feral. They paw
through sleep’s deep layers,
clamor for attention, then
bunch up silent in a sunlit corner.

When I poke at them, they scamper off,
taunt me into a game of hide-and-seek.
Long after I’ve lost interest, they turn up
again with those sad eyes, looking
to be welcomed home.

Emily-Sue Sloane

 

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April Shower

A ribbed fabric sky
folds the midday light
into layered stripes,
yellow and dust
accenting new-green fuzz
on old-black branches.
The sun wanders off to watch the show.
Clouds take center stage,
their deep gray pockets filled
to overflowing.
The rain they let fall
clings to newborn leaves.
Each drop sparkles with delight
when the sun steps out again
from the rainbowed shadows.

Emily-Sue Sloane

 

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Zahara (no. 137 of Women’s names sensual series)

Please don’t wake the woman
who’s sleeping on the 1 train.

Her houndstooth trousers & gray sweater
are still clean, if a little worn,
& she’s got some chopped apples & blueberries
safely housed in a plastic container,
a half-eaten yogurt in a plain carton,
& a Yerba drink waiting on the floor
on this drizzly Sunday morning.

Only if you are a doctor,

or a well-meaning subway worker,
please don’t disturb her.
She’s keeping the peace,
Mr. Police Officer—
please don’t disturb her dreaming;
the train is rocking in her sleep.

Who cares if she’s a vagrant
or a wayward woman
carrying the weight of the world?
It looks like she hasn’t slept
for a hundred years—
a hard-enough life is finally
catching up with her.

Please let her sleep.
Don’t steal her breakfast or her gold,
or her knockoff Swatch
with a white plastic band on her wrist.
Her arms are crossed
upon her chest
as she rests—

Let her go; she’ll be okay.
I hope she is okay—
Please God, watch after her.

She— She—
She—

Carrie Magness Radna

 

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Breakthrough

The seed removes its rough scored coat
Deep in dark earth,
Investing the soil with beauty.
Celebration shoots out in bright green leaves,
Sunshine laughs with growing promise,
Tendrils tie faith to the harvest.
O happy reign!

Tammy Green

 

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At Huntington Station with Whitman

“You shall possess the origin of all poems here”

As grey light filtered
through
uncurtained windows
we counted the steps –
reverent footfall
across uncarpeted floors
where shadows and
ghosts
whispered his song
in rooms of Prussian blue

Kate McCarroll Moore

 

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Butterfly Travels

With wings in flight,
Silent it arrives.
A mysterious sight,
As it gently lands,
Upon the flower.

Its wings are spread,
Yellow and black.
As thin as thread,
Yet strong to fly,
For miles and miles.

It feeds a while,
Flower to flower.
Causing us to smile,
At its beauty,
As it dances in the breeze.

Silent on its journey,
Through distant travels.
It has an untold story,
Which can’t be shared,
And remains a mystery.

Jeannine Sharkey

 

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April 27

Poem in your pocket day
poem in my pocket day
every day
poem in my heart
poem on my lips
each day
poetry fills the sky
with crystal possibilities
poetry fills the garden
with blooming verifications
poetry fills a night sky
with a thousand twinkling smiles.
Keep poetry alive
feed poetry vibrant moments
read poetry every chance you get.
Poem in my pocket
poem in your pocket
April 27.

J R Turek

 

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Ithaca. The waiting

And then I came to Ithaca
with my white mask.
I walked by the shore and along the cliffs,
among the olive trees.
And then I entered into the clear blue water.
I wanted to get lost in the embrace of the waves,
listening their stories and telling mine.
I fell asleep on seaweed, it was soft, smelling brackish.
I dreamed and talked with the shadows,
they knew everything about me and Penelope,
she who is always in the words or in the looks of others,
she who is always in lands foreign to me,
they knew that I came to Ithaca for her.
I was looking for her but I found Odysseus waiting.

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her pocket poem
had dried roses
enclosed
she wrote on occasion
rhythms exposed
it was the quiet cool wind
who kissed violin
into her skin
and silver bells summoned
the frail poem
to be washed ashore
enclosed in
the severed bottles
fragments of gold

tiffany vlasenko

 

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the twisting winding
crevices of timing
i was only trying
to see what i could find

i was a spy
a spy of your findings
with narrow road and
slithering snake highways

your eyes are forged
by crystal caves
moon lit shadows
ocean waves

lunar halo
angel wings
for you the world
is on display

tiffany vlasenko

 

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The Blanche DuBois of Westbury

Life often feels like
the slow, deliberate pace
of automatic revolving doors

when a stranger turns
and smiles or waves
I suddenly feel free
sprung loose from circular infinity
fierce, almost ten feet tall

my mind tries to shake
the cacophony of cliches
born of this random event

it costs nothing to be kind
a smile lights up darkness
blah blah blah

I shake my head
drink a cup of cynicism

and yet…

while stuck in that revolving door
who hasn’t, at some point,
depended on the
kindness of strangers?

Sherri London Pastolove

 

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The Women Gather

Nikki Giovanni

Entered by:  Sherri London Pastolove

 

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Poetry Locket

Poetry forms letters
tell us a story,
the scent of lavender
a horse’s neigh
a Morning Glory.

Stanzas and couplets
rhymes and reasons
the use of all
the four seasons.

Honor the living
elegy the dying
sonnets like bonnets
classical, not lying.

Free verse the meanings
hearts are still beating.

Sestina is what you meana
inside 39 lines.

Ghazal will say inside
ten instead of in nine.

Haiku ties the shoe
in seventeen syllables
it’s true.

Tanka is when we wanta
say it in a few more.
So many poetry forms
for sure.

Ballad’s a story
ABAB in its glory.
Acrostic letters form
a crowd.
Alliterations noticed
Metaphors are proud.

All these formations
inside one’s pocket
kept close like this
special golden locket.

Margarette Wahl

 

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Portrait in Black and white

a fly
is
standing
at the bar
on a lady in a white dress
drinking.

Marjorie Kanter

 

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Bro-ken Drought

I am awakened (by lovely sounds.)
The birds are
s-i-n-g
i
n
g
in the rain.

Marjorie Kanter

 

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Winter in Madrid 2008-2009

The clouds were
stuffed and puffed and blackened
for days on end, weeks on end.
It was a long time of dark skies
and grey black(ended) clouds.
(Finally) after a long time
the rain began to squeeze out,
first in drops and there came a loud
explosion and the/a deluge began.çIt rained and rained and rained.
We all got wet.

Marjorie Kanter

Entered by:  Jose Luis Delgado Guitart

 

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in another place

the lights dimmed
and then brightened a little later
and then went through it
again and again and again
until daylight came
and the switch was turned off,
then the sun beat down for hours on end.
there was no relenting
until (once more) nighttime came.
it was still hot
but the lights dimmed and
brightened in a pattern of: off and
on, on and off, giving a feeling
of time stopping and
coolness.

Marjorie Kanter

Entered by:  Jose Luis Delgado Guitart

 

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Remembering Tom

 

“Poetry”

And it was at that age … Poetry arrived
in search of me. I don’t know, I don’t know where
it came from, from winter or a river.
I don’t know how or when,
no they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.

I did not know what to say, my mouth
had no way
with names,
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire,
and I wrote the first faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating plantations,
shadow perforated,
riddled
with arrows, fire and flowers,
the winding night, the universe.

And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke loose on the wind.

Pablo Neruda

Entered by:  Robert Savino

 

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I STAND ALONE

My three daughters have a bond,
the result of my actions, but solely their own.
Shared trust, their survival,
and also my envy.
I’m forbidden the laughter
in clever use for their mending.

Personally blessed with a mom’s natural instinct,
I still flounder in a fogged absence that blinds.
Maternal yearning daily
is my monotonous conflict.
Acrimony, my prison,
bi-polar depression, my disease.

Inside my core, a cultivated wit, the truth of me lives;
engaging and clever, intermittently bright to the ones who love me.
But that explosive allure, though admittedly captivating,
is also quite fickle to even my most treasured ones.
If we all only knew with forewarning, we were prey to the trap,
we maybe could have tamed the erosive disease free.

Tortured life chaos,
my intimate nemesis.
A warped ‘TLC,’
imposed on the innocents born out of me.
This con-cave institution
is my only cement.

Masked relief from nights past, endures on their faces,
yet spontaneous fun days present our hopeful illusion.
A puzzle my family lives inside with me,
we wake to unpredictable and insoluble days.
Collectively plagued in onerous love,
but I stand alone, the castrated outsider.

These daughters I adore,
cling in love’s unity, the vestige unwavering.
The familiar acronym, T.L.C. forms their guild,
the simple necessity: tender loving care for each other.
Yet juxtaposed, in harrowing position,
an infected ‘TLC’ stays trapped inside me.

Persecution un-ceased,
I lament my lost life;
it’s a maze with no exit.
Self pity, my lover:
guilt lives only in regrets that are felt.
My starring role cast: the victim forever.

Inescapable twists tighten,
inner torment ferments,
angry pain never stops,
my perceptions distorted.
My life’s struggle is family:
raging love in my heart.

Alas, in the winter of life,
my swan song indulged, emancipation comes gently.
Any lingering fury holds less harm and no menace.
Once deemed hurtful, brash or shaming in public,
my outspoken candor is more easily reined.
I’m slowly accepted as quirky and charming.

Old wounds on us all are hidden scars healing.
The bi-polar grip, now frail and anemic,
ancient agonies among us, are discussed and acknowledged.
New parents are grateful, generations pass on to the next.
As our love is remembered, grandkids play in less volatile space,
and in this court of past suffering, our clemency is granted.

___________________________

 

These words are written in reverence to my mother loved, and at times hated.
I was gravely touched by her uttered cries:
her punished experience still remnants in my head.
She was a powerful force, pernicious and amazing,
our grace and shared trauma left me who I am.
Here I offer her voice, forever in me, adage to withered dreams and others not yet set free.

Charlotte Leslie

 

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Meme’re’

There is a poem in my pocket
And it’s corners are all worn
I’ve read it many times you see
It is tender though it’s torn

The words speak of a pine tree
so clearly I can smell it
and the needles snap so musically
I could sing, not tell it!

Blueberries grow ‘neath it
so round and plump and blue
I can hear my grandmother
calling “Let’s go pick a few!”

Her breath smelled of the Violet Mints
she shared when we would roam
I thought that I could even smell
them through the telephone!

The poem in my pocket
paints a love filled picture so
I keep it with me always

Wherever I may go.

Linda Trott Dickman

 

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DEAD LAST

Breezing out the door, his confidence exhumed.
A man of his work, precision a must.
His final contract secured,
Authentic bone,
Delivery guaranteed.
“Did I tell you I came in dead last?”

He shrugs off the random words behind him.

Slipping on his gloves,
His thoughts lamenting,
“This is it. Make it count!”
Down the assassin’s spine… goosebumps,
Eager anticipation of his kill.
“Did I tell you I came in dead last?”

He shrugs the whisper away. Maybe retiree’s remorse?

His coveted checklist,
Efficiency his trademark,
But for this final one,
Deviation unearths his every nerve ending,
“Before a last breath, I’ll dig deep for the proof.”
“Did I tell you I came in dead last?”

A shrug no longer useful, his head whips around.

Uncharacteristically rattled,
The slayer murmurs to his haunting,
“I’ll stray not from my archives!”
“Pain free I adhere,”
“I promise bone after death, not before.”
Did I tell you I came in dead last?

Charlotte Pezzo

 

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Behind The Masked Door Of Spring

It lurks behind the bursting blossoms of the brilliant pink Azaleas

The vail of Lilacs trailing across the white wood crisscross trellis

A bright ball of glowing fireball Sun that match the vibrant yellow Daffodils

Chirping Robins that hop eagerly across my lawn their orange breasts adorning

The pleasant scent of sprigs of Lavender growing wildly as they frame the green grass

Sparrows, Crows and Bluebirds that fly down from the powder blue sky

As they land gracefully on the roof of their birdhouse and peek beneath the roof

To steal the tiny seeds so perfectly and grasp them in their beak, then darting down

As they grab a squiggly worm below the rich soil and carry it back to their babies

Hidden so tenderly and perfectly in their woven twig filled nests

Beautiful, brilliant, inviting spring, that makes me melt and brings me boundless joy

So inviting, it serves me, and helps to mask the nagging sadness that pulls at me

The sorrowful, wearing, unrelenting sadness that pierces my aching heart

Sandra Gallof

 

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Sponsored by Humanities NY – Six Wednesday evenings, 6:00-7:30PM – April 12, 19, 26 & May 3, 10, 17  (2023)  – ZOOM only

Theme – “Land, Liberty & Loss: Echoes of the American Revolution”

Book – Our Beloved Kin: A New History of King Philip’s War by Lisa Brooks

• One time registration fee:  $10 Registration Fee
• Watch for the ZOOM link from  events@waltwhitman.org. The link will be sent the first week of the book discussion. The same link will be used for all 6 sessions.
• You can purchase a copy of Our Beloved Kin: A New History of King Philip’s War online, or borrow a copy from your local library.

Sarah Kautz is an archaeologist, historical anthropologist, and preservation planner with nearly 20 years of professional experience. She has worked collaboratively with stakeholders and governments in the United States, Japan, and South Africa to study and preserve heritage sites. Her work seeks to make understandings of the past relevant and useful in our everyday lives.

 

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Facilitator Sarah Kautz presents Our Beloved Kin: A New History of King Philip’s War, a book selection by Humanities NY for their Series “Land, Liberty & Loss: Echoes of the American Revolution.” Our Beloved Kin: A New History of King Philip’s War offers a thought-provoking account of conflict, captivity, resistance, and survival from an Indigenous perspective. Focusing on the experiences of Weetamoo (a female Wampanoag leader) and James Printer (a Nipmuc scholar), this book gives readers fresh insight into commonly heard stories about the period, such as Mary Rowlandson’s captivity narrative, in which both Weetamoo and James Printer appear. In this discussion group, we will consider how legacies of settler colonialism frame American history. We will also explore how Our Beloved Kin opens up new possibilities for re-telling American history.

The Digital Companion website for Our Beloved Kin includes visualizations and additional content developed by the author, including links to Maps (the full color maps created for each chapter), Documents (images of original manuscripts and other documents associated with each chapter) and/or Connections (maps and documents in historical and geographical context, contemporary images of places and other related media).

 

---

April 12

Introductions, review the reading list, and discuss the major themes of our readings.

Reading:

• Land, Liberty & Loss: Echoes of the American Revolution essay by Alan Taylor:  https://humanitiesny.org/land-liberty-loss-echoes-of-the-american-revolution

• Our Beloved Kin “Introduction: The Absence of Presence”

• Our Beloved Kin “Prologue: Caskoak, the Place of Peace”

Recommended (videos):

• We Still Live Here–Âs Nutayuneân, documentary about the revitalization of the Wampanoag language https://www.dailymotion.com/video/x3h1myn. As you read Our Beloved Kin, you’ll encounter many Wampanoag words. Does language matter in the stories we tell? Why?
• Partnership of Historic Bostons lecture: Whose Name, Whose Place? Native Placenames In Southern New England (September 2022) https://historicbostons.org/events/1

 

---

April 19

Our Beloved Kin–Part 1, The Education of Weetahmoo and James Printer: Exchange, Diplomacy, Dispossession

Reading:

• Chapter 1: Namumpum, “Our Beloved Kinswoman,” Saunkskwa of Pocasset: Bonds, Acts, Deeds
• Chapter 2: The Harvard Indian College Scholars and the Algonquian Origins of American Literature
• Interlude: Nashaway, Nipmuc Country, 1643–1674

 

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April 26

Our Beloved Kin–Part 2, No Single Story: Multiple Views on the Emergence of War

Reading:

• Chapter 3: The Queen’s Right and the Quaker’s Relation
• Chapter 4: Here Comes the Storm
• Chapter 5: The Printer’s Revolt: A Narrative of the Captivity of James the Printer

 

---

May 3

Our Beloved Kin–Part 3, Colonial Containment and Networks of Kinship Expanding the Map of Captivity, Resistance, and Alliance

Reading:

• Chapter 6: The Roads Leading North: September 1675–January 1676
• Interlude: “My Children Are Here and I Will Stay” Menimesit, January 1676
• Chapter 7: The Captive’s Lament: Reinterpreting Rowlandson’s Narrative

Recommended (video):

• Partnership of Historic Bostons lecture: Cruel Or Courageous? A New Reading Of Mary Rowlandson’s Captivity Narrative (July 2022) https://historicbostons.org/events/1-puritan-social-gospel-and-the-city-on-a-hill-m84ff-hb2e6-gtmdp

 

---

May 10

Our Beloved Kin–Part 4, The Place of Peace and the Ends of War

Reading:

• Chapter 8: Unbinding the Ends of War
• Chapter 9: The Northern Front, Beyond Replacement Narratives

 

---

May 17

At our last meeting, we will have an open discussion of Our Beloved Kin. We will also discuss how Our Beloved Kin inspires retelling Long Island’s colonial history from an Indigenous perspective.

Reading:

• “The Thirteen Tribes of Long Island: The History of a Myth,” by John Strong, The Hudson Valley Regional Review, 1992 https://drive.google.com/file/d/158I684cdyoR8B4zRDyWA3vUDedrshpBh/view?usp=share_link
• Take a close look at the content in “Native American Long Island,” part of the Brooklyn Historical Society’s virtual exhibit, Revealing Long Island History: https://longisland.brooklynhistory.org/themes/native-american-long-island
• “The Meanings of a Native American House in a Black Neighborhood,” by Allison Manfra McGovern and Anjana Mebane-Cruz, Journal of African Diaspora Archaeology and Heritage, 2019 https://drive.google.com/file/d/1rrkq4fu81jquZsepe1Tq5vwJIcwfHxUA/view?usp=share_link

Recommended:

• Montaukett NYS Tribal recognition: http://www.montaukwarrior.info/?page_id=274
• Conscience Point documentary https://www.pbs.org/independentlens/documentaries/conscience-point
• Niamuck Land Trust https://niamucklandtrust.org/home-1
• NYS Unmarked Burial Protection Act https://preservationlongisland.org/action-alert-burial-site-protection

 

---

 

This Series is Sponsored by a Humanities New York Reading and Discussion Grant.

This program is made possible with funds from NY State Parks, Suffolk County, Town of Huntington, and NYS Council on the Arts through Huntington Arts Council.

Sponsored by Humanities NY – Six Wednesday evenings, 6:00-7:30PM – April 12, 19, 26 & May 3, 10, 17  (2023)  – ZOOM only

Theme – “Land, Liberty & Loss: Echoes of the American Revolution”

Book – Our Beloved Kin: A New History of King Philip’s War by Lisa Brooks

• One time registration fee:  $10 Registration Fee
• Watch for the ZOOM link from  events@waltwhitman.org. The link will be sent the first week of the book discussion. The same link will be used for all 6 sessions.
• You can purchase a copy of Our Beloved Kin: A New History of King Philip’s War online, or borrow a copy from your local library.

Sarah Kautz is an archaeologist, historical anthropologist, and preservation planner with nearly 20 years of professional experience. She has worked collaboratively with stakeholders and governments in the United States, Japan, and South Africa to study and preserve heritage sites. Her work seeks to make understandings of the past relevant and useful in our everyday lives. Click here for Sarah Kautz bio.

 

---

 

Facilitator Sarah Kautz presents Our Beloved Kin: A New History of King Philip’s War, a book selection by Humanities NY for their Series “Land, Liberty & Loss: Echoes of the American Revolution.” Our Beloved Kin: A New History of King Philip’s War offers a thought-provoking account of conflict, captivity, resistance, and survival from an Indigenous perspective. Focusing on the experiences of Weetamoo (a female Wampanoag leader) and James Printer (a Nipmuc scholar), this book gives readers fresh insight into commonly heard stories about the period, such as Mary Rowlandson’s captivity narrative, in which both Weetamoo and James Printer appear. In this discussion group, we will consider how legacies of settler colonialism frame American history. We will also explore how Our Beloved Kin opens up new possibilities for re-telling American history.

The Digital Companion website for Our Beloved Kin includes visualizations and additional content developed by the author, including links to Maps (the full color maps created for each chapter), Documents (images of original manuscripts and other documents associated with each chapter) and/or Connections (maps and documents in historical and geographical context, contemporary images of places and other related media).

 

---

April 12

Introductions, review the reading list, and discuss the major themes of our readings.

Reading:

• Land, Liberty & Loss: Echoes of the American Revolution essay by Alan Taylor:  https://humanitiesny.org/land-liberty-loss-echoes-of-the-american-revolution

• Our Beloved Kin “Introduction: The Absence of Presence”

• Our Beloved Kin “Prologue: Caskoak, the Place of Peace”

Recommended (videos):

• We Still Live Here–Âs Nutayuneân, documentary about the revitalization of the Wampanoag language https://www.dailymotion.com/video/x3h1myn. As you read Our Beloved Kin, you’ll encounter many Wampanoag words. Does language matter in the stories we tell? Why?
• Partnership of Historic Bostons lecture: Whose Name, Whose Place? Native Placenames In Southern New England (September 2022) https://historicbostons.org/events/1

 

---

April 19

Our Beloved Kin–Part 1, The Education of Weetahmoo and James Printer: Exchange, Diplomacy, Dispossession

Reading:

• Chapter 1: Namumpum, “Our Beloved Kinswoman,” Saunkskwa of Pocasset: Bonds, Acts, Deeds
• Chapter 2: The Harvard Indian College Scholars and the Algonquian Origins of American Literature
• Interlude: Nashaway, Nipmuc Country, 1643–1674

 

---

April 26

Our Beloved Kin–Part 2, No Single Story: Multiple Views on the Emergence of War

Reading:

• Chapter 3: The Queen’s Right and the Quaker’s Relation
• Chapter 4: Here Comes the Storm
• Chapter 5: The Printer’s Revolt: A Narrative of the Captivity of James the Printer

 

---

May 3

Our Beloved Kin–Part 3, Colonial Containment and Networks of Kinship Expanding the Map of Captivity, Resistance, and Alliance

Reading:

• Chapter 6: The Roads Leading North: September 1675–January 1676
• Interlude: “My Children Are Here and I Will Stay” Menimesit, January 1676
• Chapter 7: The Captive’s Lament: Reinterpreting Rowlandson’s Narrative

Recommended (video):

• Partnership of Historic Bostons lecture: Cruel Or Courageous? A New Reading Of Mary Rowlandson’s Captivity Narrative (July 2022) https://historicbostons.org/events/1-puritan-social-gospel-and-the-city-on-a-hill-m84ff-hb2e6-gtmdp

 

---

May 10

Our Beloved Kin–Part 4, The Place of Peace and the Ends of War

Reading:

• Chapter 8: Unbinding the Ends of War
• Chapter 9: The Northern Front, Beyond Replacement Narratives

 

---

May 17

At our last meeting, we will have an open discussion of Our Beloved Kin. We will also discuss how Our Beloved Kin inspires retelling Long Island’s colonial history from an Indigenous perspective.

Reading:

• “The Thirteen Tribes of Long Island: The History of a Myth,” by John Strong, The Hudson Valley Regional Review, 1992 https://drive.google.com/file/d/158I684cdyoR8B4zRDyWA3vUDedrshpBh/view?usp=share_link
• Take a close look at the content in “Native American Long Island,” part of the Brooklyn Historical Society’s virtual exhibit, Revealing Long Island History: https://longisland.brooklynhistory.org/themes/native-american-long-island
• “The Meanings of a Native American House in a Black Neighborhood,” by Allison Manfra McGovern and Anjana Mebane-Cruz, Journal of African Diaspora Archaeology and Heritage, 2019 https://drive.google.com/file/d/1rrkq4fu81jquZsepe1Tq5vwJIcwfHxUA/view?usp=share_link

Recommended:

• Montaukett NYS Tribal recognition: http://www.montaukwarrior.info/?page_id=274
• Conscience Point documentary https://www.pbs.org/independentlens/documentaries/conscience-point
• Niamuck Land Trust https://niamucklandtrust.org/home-1
• NYS Unmarked Burial Protection Act https://preservationlongisland.org/action-alert-burial-site-protection

 

---

 

This Series is Sponsored by a Humanities New York Reading and Discussion Grant.

This program is made possible with funds from NY State Parks, Suffolk County, Town of Huntington, and NYS Council on the Arts through Huntington Arts Council.

Sponsored by Humanities NY – Six Wednesday evenings, 6:00-7:30PM – April 12, 19, 26 & May 3, 10, 17  (2023)  – ZOOM only

Theme – “Land, Liberty & Loss: Echoes of the American Revolution”

Book – Our Beloved Kin: A New History of King Philip’s War by Lisa Brooks

• One time registration fee:  $10 Registration Fee
• Watch for the ZOOM link from  events@waltwhitman.org. The link will be sent the first week of the book discussion. The same link will be used for all 6 sessions.
• You can purchase a copy of Our Beloved Kin: A New History of King Philip’s War online, or borrow a copy from your local library.

Sarah Kautz is an archaeologist, historical anthropologist, and preservation planner with nearly 20 years of professional experience. She has worked collaboratively with stakeholders and governments in the United States, Japan, and South Africa to study and preserve heritage sites. Her work seeks to make understandings of the past relevant and useful in our everyday lives. Click here for Sarah Kautz bio.

 

---

 

Facilitator Sarah Kautz presents Our Beloved Kin: A New History of King Philip’s War, a book selection by Humanities NY for their Series “Land, Liberty & Loss: Echoes of the American Revolution.” Our Beloved Kin: A New History of King Philip’s War offers a thought-provoking account of conflict, captivity, resistance, and survival from an Indigenous perspective. Focusing on the experiences of Weetamoo (a female Wampanoag leader) and James Printer (a Nipmuc scholar), this book gives readers fresh insight into commonly heard stories about the period, such as Mary Rowlandson’s captivity narrative, in which both Weetamoo and James Printer appear. In this discussion group, we will consider how legacies of settler colonialism frame American history. We will also explore how Our Beloved Kin opens up new possibilities for re-telling American history.

The Digital Companion website for Our Beloved Kin includes visualizations and additional content developed by the author, including links to Maps (the full color maps created for each chapter), Documents (images of original manuscripts and other documents associated with each chapter) and/or Connections (maps and documents in historical and geographical context, contemporary images of places and other related media).

 

---

April 12

Introductions, review the reading list, and discuss the major themes of our readings.

Reading:

• Land, Liberty & Loss: Echoes of the American Revolution essay by Alan Taylor:  https://humanitiesny.org/land-liberty-loss-echoes-of-the-american-revolution

• Our Beloved Kin “Introduction: The Absence of Presence”

• Our Beloved Kin “Prologue: Caskoak, the Place of Peace”

Recommended (videos):

• We Still Live Here–Âs Nutayuneân, documentary about the revitalization of the Wampanoag language https://www.dailymotion.com/video/x3h1myn. As you read Our Beloved Kin, you’ll encounter many Wampanoag words. Does language matter in the stories we tell? Why?
• Partnership of Historic Bostons lecture: Whose Name, Whose Place? Native Placenames In Southern New England (September 2022) https://historicbostons.org/events/1

 

---

April 19

Our Beloved Kin–Part 1, The Education of Weetahmoo and James Printer: Exchange, Diplomacy, Dispossession

Reading:

• Chapter 1: Namumpum, “Our Beloved Kinswoman,” Saunkskwa of Pocasset: Bonds, Acts, Deeds
• Chapter 2: The Harvard Indian College Scholars and the Algonquian Origins of American Literature
• Interlude: Nashaway, Nipmuc Country, 1643–1674

 

---

April 26

Our Beloved Kin–Part 2, No Single Story: Multiple Views on the Emergence of War

Reading:

• Chapter 3: The Queen’s Right and the Quaker’s Relation
• Chapter 4: Here Comes the Storm
• Chapter 5: The Printer’s Revolt: A Narrative of the Captivity of James the Printer

 

---

May 3

Our Beloved Kin–Part 3, Colonial Containment and Networks of Kinship Expanding the Map of Captivity, Resistance, and Alliance

Reading:

• Chapter 6: The Roads Leading North: September 1675–January 1676
• Interlude: “My Children Are Here and I Will Stay” Menimesit, January 1676
• Chapter 7: The Captive’s Lament: Reinterpreting Rowlandson’s Narrative

Recommended (video):

• Partnership of Historic Bostons lecture: Cruel Or Courageous? A New Reading Of Mary Rowlandson’s Captivity Narrative (July 2022) https://historicbostons.org/events/1-puritan-social-gospel-and-the-city-on-a-hill-m84ff-hb2e6-gtmdp

 

---

May 10

Our Beloved Kin–Part 4, The Place of Peace and the Ends of War

Reading:

• Chapter 8: Unbinding the Ends of War
• Chapter 9: The Northern Front, Beyond Replacement Narratives

 

---

May 17

At our last meeting, we will have an open discussion of Our Beloved Kin. We will also discuss how Our Beloved Kin inspires retelling Long Island’s colonial history from an Indigenous perspective.

Reading:

• “The Thirteen Tribes of Long Island: The History of a Myth,” by John Strong, The Hudson Valley Regional Review, 1992 https://drive.google.com/file/d/158I684cdyoR8B4zRDyWA3vUDedrshpBh/view?usp=share_link
• Take a close look at the content in “Native American Long Island,” part of the Brooklyn Historical Society’s virtual exhibit, Revealing Long Island History: https://longisland.brooklynhistory.org/themes/native-american-long-island
• “The Meanings of a Native American House in a Black Neighborhood,” by Allison Manfra McGovern and Anjana Mebane-Cruz, Journal of African Diaspora Archaeology and Heritage, 2019 https://drive.google.com/file/d/1rrkq4fu81jquZsepe1Tq5vwJIcwfHxUA/view?usp=share_link

Recommended:

• Montaukett NYS Tribal recognition: http://www.montaukwarrior.info/?page_id=274
• Conscience Point documentary https://www.pbs.org/independentlens/documentaries/conscience-point
• Niamuck Land Trust https://niamucklandtrust.org/home-1
• NYS Unmarked Burial Protection Act https://preservationlongisland.org/action-alert-burial-site-protection

 

---

 

This Series is Sponsored by a Humanities New York Reading and Discussion Grant.

This program is made possible with funds from NY State Parks, Suffolk County, Town of Huntington, and NYS Council on the Arts through Huntington Arts Council.